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The Bridge
Matt | 3 December

If you know me at all, you’ll know that I am a big fan of all things Scandinavian. I’ve been

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2016 Christmas Sale
Matt | 30 November

‘Tis the season to eat holly, tra la la la la, la la la la! Christmas Christmas Christmas. I love

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Hoshino
Matt | 29 November

If, like me, you’re a fan of the Star Wars series (well, most of it, ahem… cough… Phantom Menace… sigh),

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The Missing
Matt | 23 November

I don’t know about you, but the thing I love watching most on TV is detective series – particularly Nordic

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Return of the Colossus
Matt | 10 November

Last year, when I released Omnisphere Colossus, it was the culmination of probably the most mammoth sound design task I’d

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Titanfall 2
Matt | 5 November

Working with Stephen Barton is always fun and this job was certainly that, if a little unusual. Rather than creating

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Mr Robot
Matt | 25 September

Had word from the very talented composer, Mac Quayle, that he’s been using my Zebra sounds a lot on the

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Doomsday
Matt | 26 August

My memory isn’t what it was, but I believe I’m correct in saying that the sounds I made for Doomsday

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Ripper Street
Matt | 24 August

Ripper Street returns to the BBC for its fourth series, after briefly having lived on Amazon. I was extremely pleased

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Get That Pro Sound Interview
Matt | 14 August

I’ve been having a fun chat with George Robinson over at Get That Pro Sound about synth programming, musical inspiration

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Competition Results
Competition Winners Announced
Matt | 9 August

After a couple of weeks of frantic listening and judging, we finally have our winners for The Unfinished u-he Synth

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Case Study: Unforgotten
Matt | 8 August

I first met Michael Price, through a mutual friend, at the premiere of a film he had scored and co-produced,

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