I’m pleased to say that The Unfinished sounds feature extensively in the wonderful score for Collateral Beauty by Theodore Shapiro.
Well then… What an interesting year 2016 has been. I won’t go into detail about my feelings on the violent
I’m hugely excited to be not just releasing a synth soundset, but also my first ever feature film soundtrack. Both
For me, one of the most innovative films of the last decade is Neill Blomkamp‘s thoughtful, sci-fi romp District 9.
It is always good news when u-he is releasing a new synth. The Berlin-based developers produce some of my favourite
If you know me at all, you’ll know that I am a big fan of all things Scandinavian. I’ve been
‘Tis the season to eat holly, tra la la la la, la la la la! Christmas Christmas Christmas. I love
If, like me, you’re a fan of the Star Wars series (well, most of it, ahem… cough… Phantom Menace… sigh),
I don’t know about you, but the thing I love watching most on TV is detective series – particularly Nordic
Last year, when I released Omnisphere Colossus, it was the culmination of probably the most mammoth sound design task I’d
Working with Stephen Barton is always fun and this job was certainly that, if a little unusual. Rather than creating
Had word from the very talented composer, Mac Quayle, that he’s been using my Zebra sounds a lot on the