HAVE FRESH SOUNDS THAT YOU NEED AT YOUR FINGER TIPS.
The Unfinished has worked with a wide range of composers, artists and producers across a range of projects.
Clients include: Hans Zimmer, Martin Phipps, Jason Graves, Michael Price, Sascha Dikiciyan, Paul Haslinger, Jack Wall and Stephen Barton.
Matt has also collaborated with Spitfire Audio, Spectrasonics, u-he and Access synths.
Bespoke synth programming provides you with unique, high quality sounds; instant gratification; an enjoyable, collaborative process; and, most importantly, sonic candy to help you stand out from the crowd.
Download The Unfinished Bespoke Brochure to find out more.
Or check out the Case Studies below.
The Unfinished Bespoke Brochure
BESPOKE CASE STUDIES
Zombies! They are the undead gift that keeps on giving. The latest installment in the Call of Duty game series
A few years ago, when I first started becoming obsessed with Scandi Noir, there was one series that really inspired
Having made a handful of sounds for the first series of Unforgotten, I was delighted when Michael Price contacted me
Vampires, like zombies, rarely go out of fashion. There’s also something tremendously beguiling about Victorian and turn of the century
One of my favourite game scores of all time is Ghost Recon: Future Soldier by Hybrid and Tom Salta. So
The best thing that can happen to a sound designer is to work on one of your favourite shows. I’m
For me, one of the most innovative films of the last decade is Neill Blomkamp‘s thoughtful, sci-fi romp District 9.
Working with Stephen Barton is always fun and this job was certainly that, if a little unusual. Rather than creating
I first met Michael Price, through a mutual friend, at the premiere of a film he had scored and co-produced,
Pedro Camacho and I have been talking forever about working together on Star Citizen, and finally got the chance to
Jason Graves was already a regular customer and user of my commercial soundsets, when he sent me an email hilariously