HAVE FRESH SOUNDS THAT YOU NEED AT YOUR FINGER TIPS.
The Unfinished has worked with a wide range of composers, artists and producers across a range of projects.
Clients include: Hans Zimmer, Martin Phipps, Jason Graves, Michael Price, Sascha Dikiciyan, Paul Haslinger, Jack Wall and Stephen Barton.
Matt has also collaborated with Spitfire Audio, Spectrasonics, u-he and Access synths.
Bespoke synth programming provides you with unique, high quality sounds; instant gratification; an enjoyable, collaborative process; and, most importantly, sonic candy to help you stand out from the crowd.
Download The Unfinished Bespoke Brochure to find out more.
Or check out the Case Studies below.
BESPOKE CASE STUDIES
Zombies! They are the undead gift that keeps on giving. The latest installment in the Call of Duty game series
A few years ago, when I first started becoming obsessed with Scandi Noir, there was one series that really inspired
Having made a handful of sounds for the first series of Unforgotten, I was delighted when Michael Price contacted me
Vampires, like zombies, rarely go out of fashion. There’s also something tremendously beguiling about Victorian and turn of the century
One of my favourite game scores of all time is Ghost Recon: Future Soldier by Hybrid and Tom Salta. So
The best thing that can happen to a sound designer is to work on one of your favourite shows. I’m
For me, one of the most innovative films of the last decade is Neill Blomkamp‘s thoughtful, sci-fi romp District 9.
Working with Stephen Barton is always fun and this job was certainly that, if a little unusual. Rather than creating
I first met Michael Price, through a mutual friend, at the premiere of a film he had scored and co-produced,
Pedro Camacho and I have been talking forever about working together on Star Citizen, and finally got the chance to
To have a creative sonic partner when putting together the musical world for a TV show or film is such a joy. Matt understands the projects we work on instinctively, and provides unique sounds to bring life to the characters.
The Unfinished patches don’t feel like presets – I’ve used them on three very different movies in the last few months. Incredibly imaginative and useable.
It takes A LOT for me to be inspired by synth patches. It’s so refreshing to know that I can load up patches by The Unfinished and find instant inspiration. There’s a “soul” to Matt’s sounds that is hard to find in today’s overcrowded marketplace. Thank you Matt.
Each time I download the latest collection from The Unfinished and start scrolling through the sounds I feel like a kid on Christmas morning unwrapping presents. Beautiful, dark, ethereal, angry, lush, intense and much more in every set. I’m a fan.
The Unfinished sound additions are unique and inspiring. The sounds are exceptionally crafted and are easily implemented in any project. The Unfinished packs are extremely applicable for scoring all types of media and I highly suggest adding them to your sound library.
As a regular user of Omnisphere, Zebra and the NI products I’m constantly amazed at how often Matt is able to produce such brilliant patches for the synths I love. He seems to breathe life into my plugins every month in a way that no one else can. Keep up the awesome work. I can’t wait for the next release.