"The Unfinished soundsets always awaken me to new dynamic possibilities within my favorite instruments. When I load these patches, I know I’m embarking on an exciting creative conversation."

Ronit Kirchman - The Sinner, Pretty Little Liars: Original Sin, Evil Eye

"Matt has the innate ability to pique a composer's appetite with uniquely curated sounds. His patches are rich in sonic depth and intrigue yet maintain an elegant, sophisticated simplicity, allowing each artist to layer and intertwine palettes. It's a gift to have such masterfully crafted, inspiring sound worlds at my fingertips."

Steph Economou - Jupiter's Legacy, Assassin's Creed Valhalla, Manhunt: Unabomber

“The Unfinished patches don’t feel like presets – I’ve used them on three very different movies in the last few months. Incredibly imaginative and useable.“

Rupert Gregson-Williams - Wonder Woman, Aquaman, The Crown

“Creating emotion, creating cinematic landscapes from synths is something rare and truly hard to find. In a world of near endless synth patches and libraries, Matt’s work to me stands out as focused on a narrative, on telling a story through sound and music. An idea that greatly resonates with me and how I compose.”

Trevor Morris - Vikings, Hunter Killer, The Tudors

“To have a creative sonic partner when putting together the musical world for a TV show or film is such a joy. Matt understands the projects we work on instinctively, and provides unique sounds to bring life to the characters.”

Michael Price - Unforgotten, Dracula, Sherlock

“The Unfinished sound additions are unique and inspiring. The sounds are exceptionally crafted and are easily implemented in any project. The Unfinished packs are extremely applicable for scoring all types of media and I highly suggest adding them to your sound library.”

Ramin Djawadi - Game of Thrones, Westworld, Iron Man