“Each time I download the latest collection from The Unfinished and start scrolling through the sounds I feel like a kid on Christmas morning unwrapping presents. Beautiful, dark, ethereal, angry, lush, intense and much more in every set. I’m a fan.”

Mac Quayle - Mr Robot, Ratched, American Horror Story

“The Unfinished sound libraries are intuitively designed to inspire new sonic and rhythmic concepts applied to today's cinematic and contemporary pop music alike. The production quality is perfectly balanced for seamless integration into music of all styles. Thank you!”

Tyler Bates - John Wick, The Punisher, Deadpool 2

“Matt put together some bespoke samples for the recent Hugo Blick series Black Earth Rising. I gave him some guide tracks and quite a specific brief and he came back with an excellent set of sounds and ready to go programmed rhythms, all within Zebra. The sounds were great. A very satisfying collaboration.”

Martin Phipps - The Crown, Black Mirror, Peaky Blinders

“The Unfinished patches don’t feel like presets – I’ve used them on three very different movies in the last few months. Incredibly imaginative and useable.“

Rupert Gregson-Williams - Wonder Woman, Aquaman, The Crown

"Matt has the innate ability to pique a composer's appetite with uniquely curated sounds. His patches are rich in sonic depth and intrigue yet maintain an elegant, sophisticated simplicity, allowing each artist to layer and intertwine palettes. It's a gift to have such masterfully crafted, inspiring sound worlds at my fingertips."

Steph Economou - Jupiter's Legacy, Assassin's Creed Valhalla, Manhunt: Unabomber

"The Unfinished soundsets always awaken me to new dynamic possibilities within my favorite instruments. When I load these patches, I know I’m embarking on an exciting creative conversation."

Ronit Kirchman - The Sinner, Pretty Little Liars: Original Sin, Evil Eye