"Matt has the innate ability to pique a composer's appetite with uniquely curated sounds. His patches are rich in sonic depth and intrigue yet maintain an elegant, sophisticated simplicity, allowing each artist to layer and intertwine palettes. It's a gift to have such masterfully crafted, inspiring sound worlds at my fingertips."

Steph Economou - Jupiter's Legacy, Assassin's Creed Valhalla, Manhunt: Unabomber

“The Unfinished patches don’t feel like presets – I’ve used them on three very different movies in the last few months. Incredibly imaginative and useable.“

Rupert Gregson-Williams - Wonder Woman, Aquaman, The Crown

"The Unfinished soundsets always awaken me to new dynamic possibilities within my favorite instruments. When I load these patches, I know I’m embarking on an exciting creative conversation."

Ronit Kirchman - The Sinner, Pretty Little Liars: Original Sin, Evil Eye

“The Unfinished sound additions are unique and inspiring. The sounds are exceptionally crafted and are easily implemented in any project. The Unfinished packs are extremely applicable for scoring all types of media and I highly suggest adding them to your sound library.”

Ramin Djawadi - Game of Thrones, Westworld, Iron Man

“There are very few people on the planet who have had more of an impact on how film, TV and video games sound musically today than Matt Bowdler. These sounds literally redefine what the word “preset” itself means, turning something that was traditionally "looked down on" in the past, into a highly exalted and competitive art form.“

Stephen Barton - 12 Monkeys, Jedi: Fallen Order, Watch Dogs: Legion

“Matt put together some bespoke samples for the recent Hugo Blick series Black Earth Rising. I gave him some guide tracks and quite a specific brief and he came back with an excellent set of sounds and ready to go programmed rhythms, all within Zebra. The sounds were great. A very satisfying collaboration.”

Martin Phipps - The Crown, Black Mirror, Peaky Blinders