“Each time I download the latest collection from The Unfinished and start scrolling through the sounds I feel like a kid on Christmas morning unwrapping presents. Beautiful, dark, ethereal, angry, lush, intense and much more in every set. I’m a fan.”

Mac Quayle - Mr Robot, Ratched, American Horror Story

“To have a creative sonic partner when putting together the musical world for a TV show or film is such a joy. Matt understands the projects we work on instinctively, and provides unique sounds to bring life to the characters.”

Michael Price - Unforgotten, Dracula, Sherlock

“The Unfinished sound libraries are intuitively designed to inspire new sonic and rhythmic concepts applied to today's cinematic and contemporary pop music alike. The production quality is perfectly balanced for seamless integration into music of all styles. Thank you!”

Tyler Bates - John Wick, The Punisher, Deadpool 2

“The Unfinished patches don’t feel like presets – I’ve used them on three very different movies in the last few months. Incredibly imaginative and useable.“

Rupert Gregson-Williams - Wonder Woman, Aquaman, The Crown

"The Unfinished soundsets always awaken me to new dynamic possibilities within my favorite instruments. When I load these patches, I know I’m embarking on an exciting creative conversation."

Ronit Kirchman - The Sinner, Pretty Little Liars: Original Sin, Evil Eye

“There are very few people on the planet who have had more of an impact on how film, TV and video games sound musically today than Matt Bowdler. These sounds literally redefine what the word “preset” itself means, turning something that was traditionally "looked down on" in the past, into a highly exalted and competitive art form.“

Stephen Barton - 12 Monkeys, Jedi: Fallen Order, Watch Dogs: Legion