“The Unfinished patches don’t feel like presets – I’ve used them on three very different movies in the last few months. Incredibly imaginative and useable.“

Rupert Gregson-Williams - Wonder Woman, Aquaman, The Crown

"The Unfinished soundsets always awaken me to new dynamic possibilities within my favorite instruments. When I load these patches, I know I’m embarking on an exciting creative conversation."

Ronit Kirchman - The Sinner, Pretty Little Liars: Original Sin, Evil Eye

"Matt has the innate ability to pique a composer's appetite with uniquely curated sounds. His patches are rich in sonic depth and intrigue yet maintain an elegant, sophisticated simplicity, allowing each artist to layer and intertwine palettes. It's a gift to have such masterfully crafted, inspiring sound worlds at my fingertips."

Steph Economou - Jupiter's Legacy, Assassin's Creed Valhalla, Manhunt: Unabomber

“Matt put together some bespoke samples for the recent Hugo Blick series Black Earth Rising. I gave him some guide tracks and quite a specific brief and he came back with an excellent set of sounds and ready to go programmed rhythms, all within Zebra. The sounds were great. A very satisfying collaboration.”

Martin Phipps - The Crown, Black Mirror, Peaky Blinders

"These inventive libraries have continued to breathe life into my staple synths for way past their sell by date; a real testament to Matt’s ability to stay on trend and even create trends. I’ve bought plugins like Serum, Phonec 2 or Repro to just use these presets."

Nainita Desai - Nautilus, The Deepest Breath, Call Of Duty

“Each time I download the latest collection from The Unfinished and start scrolling through the sounds I feel like a kid on Christmas morning unwrapping presents. Beautiful, dark, ethereal, angry, lush, intense and much more in every set. I’m a fan.”

Mac Quayle - Mr Robot, Ratched, American Horror Story