A couple of years ago I was really enjoying a new series called The Missing, when my composer friend Dominik Scherrer let me know he’d used a bunch of my
2018 was a pretty busy year for me as far as bespoke synth programming projects were concerned. In particular, I got to work with some of Europe’s finest composers on
Cinematic trailer for Omnisphere Amara.
Since it’s been a while since I last released anything (Diva Genotype in November), I thought I’d use the break to do a little spring cleaning in The Unfinished towers.
The reinvigoration of using synths in film, TV and game scores that has grown over the last couple of decades has brought the worlds of film soundtracks and electronic music
I’ve been a huge fan of Soniccouture sample libraries for a long time now, and own many of them. Add that to my Scandinavian obsession and I was thrilled to