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THE UNFINISHED

CUTTING EDGE CINEMATIC & ELECTRONIC SOUNDS

Rupert Gregson-Williams

The Unfinished patches don’t feel like presets – I’ve used them on three very different movies in the last few months. Incredibly imaginative and useable.

Rupert Gregson-Williams (Wonder Woman, Hacksaw Ridge, The Legend of Tarzan))

Tom Salta

It takes A LOT for me to be inspired by synth patches. It’s so refreshing to know that I can load up patches by The Unfinished and find instant inspiration. There’s a “soul” to Matt’s sounds that is hard to find in today’s overcrowded marketplace. Thank you Matt.

Tom Salta (Halo, Tom Clancy's Ghost Recon, Lawbreakers)

Mac Quayle

Each time I download the latest collection from The Unfinished and start scrolling through the sounds I feel like a kid on Christmas morning unwrapping presents. Beautiful, dark, ethereal, angry, lush, intense and much more in every set. I’m a fan.

Mac Quayle (Mr Robot, American Horror Story, Cold Case)

Ramin Djawadi

The Unfinished sound additions are unique and inspiring. The sounds are exceptionally crafted and are easily implemented in any project. The Unfinished packs are extremely applicable for scoring all types of media and I highly suggest adding them to your sound library.

Ramin Djawadi (Game of Thrones, Iron Man, Pacific Rim)

Clinton Shorter

As a regular user of Omnisphere, Zebra and the NI products I’m constantly amazed at how often Matt is able to produce such brilliant patches for the synths I love. He seems to breathe life into my plugins every month in a way that no one else can. Keep up the awesome work. I can’t wait for the next release.

Clinton Shorter (District 9, Contraband, 2 Guns)

Greg Edmonson

Matt’s ‘The Unfinished’ series is simply spectacular. Cinematic and evocative are words that come to mind. Need some inspiration? Just load a patch and follow your heart. Bold and nuanced at the same time, ‘The Unfinished’ is a wonderful resource for any composer!

Greg Edmonson (Uncharted, Firefly)

LATEST NEWSFOR MORE NEWS, INFO & FEATURES...

Case Study: Vampyr
Matt | 11, June

Vampires, like zombies, rarely go out of fashion. There’s also something tremendously beguiling about Victorian and turn of the century

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Case Study: Warface Chernobyl
Matt | 11, June

One of my favourite game scores of all time is Ghost Recon: Future Soldier by Hybrid and Tom Salta. So

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Case Study: The Bridge IV
Matt | 11, June

The best thing that can happen to a sound designer is to work on one of your favourite shows. I’m

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GDPR
Matt | 21, May

Here at The Unfinished I’ve been busy making sure we’re compliant with the new General Data Protection Rules being implemented

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Omnisphere Cyberia Teaser Trailer
Matt | 18, May

Teaser trailer for my latest Omnisphere library. Will you buy it, “puny human”?!

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Women’s Aid Total
Matt | 11, April

Wow wow wow. I cannot believe how brilliantly The Unfinished International Women’s Day Sale went. Extraordinary. Thanks to your enthusiasm

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Shopping at Teisco
Matt | 22, March

I’ve been having a little bit of a studio shopping spree recently. My synth obsession has found me adding a

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Manhunt: Unabomber
Matt | 09, March

Had a lovely message from composer, Gregory Tripi, letting me know that he used lots of The Unfinished synth sounds

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Absynth Jura
Matt | 06, March

I’ve had this little collection of Absynth patches sat on my studio computer for several months now, waiting for me

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