All the latest synth sounds and sample libraries from The Unfinished.
Zebra Quasar: Dark EditionZebra
DoomsdayMassive, Absynth, Bundle
Humankind 02Zebra, Diva, Bundle, Bazille
Humankind 01Omnisphere, Massive, Trilian, Absynth, Bundle
Kontakt BundleKontakt, Bundle
The Unfinished sound additions are unique and inspiring. The sounds are exceptionally crafted and are easily implemented in any project. The Unfinished packs are extremely applicable for scoring all types of media and I highly suggest adding them to your sound library.
As a regular user of Omnisphere, Zebra and the NI products I’m constantly amazed at how often Matt is able to produce such brilliant patches for the synths I love. He seems to breathe life into my plugins every month in a way that no one else can. Keep up the awesome work. I can’t wait for the next release.
Matt’s ‘The Unfinished’ series is simply spectacular. Cinematic and evocative are words that come to mind. Need some inspiration? Just load a patch and follow your heart. Bold and nuanced at the same time, ‘The Unfinished’ is a wonderful resource for any composer!
Whatever magic potions you’re brewing over there, keep it up! I can’t thank you enough for making it so easy to find those polished, simple sounds that “just fit” – only a few tweaks and I can call them my own.
I have been using Matt’s talents for a few years now, including on my just released Doomsday artist record. He never fails to amaze me how a single person can create so many presets that are never boring or cheap sounding. They inspire you to write the best music possible. Thanks Matt!
Creating emotion, creating cinematic landscapes from synths is something rare and truly hard to find. In a world of near endless synth patches and libraries, Matt’s work to me stands out as focused on a narrative, on telling a story through sound and music. An idea that greatly resonates with me and how I compose.
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Had word from the very talented composer, Mac Quayle, that he’s been using my Zebra sounds a lot on the
My memory isn’t what it was, but I believe I’m correct in saying that the sounds I made for Doomsday
Ripper Street returns to the BBC for its fourth series, after briefly having lived on Amazon. I was extremely pleased
I’ve been having a fun chat with George Robinson over at Get That Pro Sound about synth programming, musical inspiration
After a couple of weeks of frantic listening and judging, we finally have our winners for The Unfinished u-he Synth
I first met Michael Price, through a mutual friend, at the premiere of a film he had scored and co-produced,
I can remember back in the late 2000s when I first got into writing film music that I had a
Back in February of this year I decided to create an alter ego called Villeneuve Sound in order to create