“Creating emotion, creating cinematic landscapes from synths is something rare and truly hard to find. In a world of near endless synth patches and libraries, Matt’s work to me stands out as focused on a narrative, on telling a story through sound and music. An idea that greatly resonates with me and how I compose.”

Trevor Morris - Vikings, Hunter Killer, The Tudors

“Matt put together some bespoke samples for the recent Hugo Blick series Black Earth Rising. I gave him some guide tracks and quite a specific brief and he came back with an excellent set of sounds and ready to go programmed rhythms, all within Zebra. The sounds were great. A very satisfying collaboration.”

Martin Phipps - The Crown, Black Mirror, Peaky Blinders

"These inventive libraries have continued to breathe life into my staple synths for way past their sell by date; a real testament to Matt’s ability to stay on trend and even create trends. I’ve bought plugins like Serum, Phonec 2 or Repro to just use these presets."

Nainita Desai - Nautilus, The Deepest Breath, Call Of Duty

"Matt has the innate ability to pique a composer's appetite with uniquely curated sounds. His patches are rich in sonic depth and intrigue yet maintain an elegant, sophisticated simplicity, allowing each artist to layer and intertwine palettes. It's a gift to have such masterfully crafted, inspiring sound worlds at my fingertips."

Steph Economou - Jupiter's Legacy, Assassin's Creed Valhalla, Manhunt: Unabomber

“The Unfinished patches don’t feel like presets – I’ve used them on three very different movies in the last few months. Incredibly imaginative and useable.“

Rupert Gregson-Williams - Wonder Woman, Aquaman, The Crown

“The Unfinished sound libraries are intuitively designed to inspire new sonic and rhythmic concepts applied to today's cinematic and contemporary pop music alike. The production quality is perfectly balanced for seamless integration into music of all styles. Thank you!”

Tyler Bates - John Wick, The Punisher, Deadpool 2