Sascha Dikiciyan (Composer – Mass Effect 3, Borderlands 2, Tron:Evolution)
“Matt is a master at creating brilliant new sounds. Heliopolis is no exception. It’s one of those banks I wish he wouldn’t sell to anybody else!”
Alex Pfeffer (Composer – Crysis 2, American Idol, Kinect Rush)
“It seems like Matt has the perfect sense for creating patches which seem not to be available in any other synth library out there. His stuff is definitely a no-brainer when it comes to tasteful sounds!”
Alain Mayrand (Composer – The Legend of Silk Boy; Orchestrator – Elysium)
“Matt’s custom patches for Absynth are fantastic; fresh, rich, musical and instantly playable. Being more of a classical composer myself and not a sound designer, I was looking for unique cinematic sounds that were not tired and overused. I found Matt’s Heliopolis and Metaspace to be worth every penny!”
Rhian Sheehan (Composer – We Are Astronomers, We Are Aliens, Top Gear)
“Matt has an incredible ear for sonic detail. I particularly love the more textural patches, they’re perfect for much of soundtrack work I’m involved in. It’s clear from listening to these patches that Matt has a very strong grasp on sonic manipulation as well as music composition. Very impressive!”
Hilgrove Kenrick (Composer – Need For Speed: Shift, The Sanctuary, Skid Racer)
“Simply luminous sounds, wonderfully inspirational and so accessible. Matt Bowdler has created a glorious monster, and we need feeding. More Darkscore!”
Rick Balentine (Composer – True Justice)
“Only a good composer knows what composers need in sounds that will set their scores apart. Matt continues to deliver sounds that make me want to use my gear in my scores. Darkscore III goes even beyond what I always get from him – width, depth, darkness and beauty. Thanks Matt, I am a client for life.”
Siddhartha Barnhoorn (Composer – Embrace Life, Antichamber, Paradise Regained)
“Matt has created some of the most beautiful sounds I have worked with. Heliopolis and Geometron are at present my favorites, from dark, broad and deep textural sounds to luminous, vibrant pads and leads. I’ve been using some of the sounds for my ambient solo endeavours but I am excited to work with them on my next film & game projects. Great job, Matt! You are a master of creating brilliant sounds!”
Russell Bell (Composer – Southland, America’s Next Top Model, Project Runway)
“I’m forever on the search for very well produced and varied breakbeats and loops for producing music at speed for my clients and I’m delighted to say The Unfinished Breaks Vol 1 hits that brief square on. They’re perfectly beat-matched in sets for likely increments and the production values are very high and enable me to sit them straight in without labouring on the mix. I have used many of these loops in TV placements and I can’t wait for Volume 2!”
Richard Chance (Composer – JLC Living Las Vegas, The Circus, Jennifer Saunders Back in the Saddle)
“Matt is himself a great composer – this gives him insight into our needs as professionals, creating patches you can actually use in your work. The Unfinished is a brilliantly informed, dynamic resource all sound-hungry composers should be setting to Google alert – while his great work is still affordable!’”