News

Matt | 23 February

Jason Graves was already a regular customer and user of my commercial soundsets, when he sent me an email hilariously

Matt | 25 August

I’ve been using Spitfire Audio sample libraries for a while now and they are an essential part of my music

Matt | 23 August

Another project with Paul Haslinger. No floaty, atmospheric synth vibes on this one. We were into creepy, dangerous and provocative

Matt | 30 July

Circular are one of my favourite ambient bands. The Scandinavian duo are signed to the legendary ambient/electronic label, Ultimae, as

Matt | 25 May

Thought it was worth a quick mention that whilst I was watching Junkie XL‘s new video about his scoring template

Matt | 30 April

Getting an email from the legend that is Eric Persing, asking if I'd like to be part of the beta

Matt | 25 January

Greg Edmonson should be familiar to everyone for his eclectic and incomparable scores to two of the most innovative series

Matt | 14 January

Paul Haslinger has been creating bold and imaginative soundtracks in Hollywood for over 20 years, after a formative career that

Matt | 1 June

Halt & Catch Fire was my first collaboration with the legend that is Paul Haslinger. I had to pinch myself

Matt | 5 May

It was a really huge honour to be contacted by the legendary German synth manufacturer, Access, and be asked to

Matt | 12 March

This is a project that kind of crept up on me. Nathan Furst got in touch, saying that he liked

Matt | 22 November

I owe a huge debt of gratitude to Sascha Dikiciyan. When I released my very first commercial soundset, Massive Darkscore