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The Unfinished has worked with a wide range of composers, artists and producers across a range of projects.

Clients include: Jason Graves, Michael Price, Sascha Dikiciyan, Trevor Morris, Sheridan Tongue, Paul Haslinger, Pedro Camacho and Clinton Shorter.

Matt has also collaborated with Spitfire Audio, Wide Blue Sound, Spectrasonics and Access synths.

Bespoke synth programming provides you with unique, high quality sounds; instant gratification; an enjoyable, collaborative process; and, most importantly, sonic candy to help you stand out from the crowd.

Download The Unfinished Bespoke Brochure to find out more.

Or check out the Case Studies below.


Case Study: The Expanse
Matt | 13, December

For me, one of the most innovative films of the last decade is Neill Blomkamp‘s thoughtful, sci-fi romp District 9.

Case Study: Titanfall 2
Matt | 05, November

Working with Stephen Barton is always fun and this job was certainly that, if a little unusual. Rather than creating

Case Study: Unforgotten
Matt | 08, August

I first met Michael Price, through a mutual friend, at the premiere of a film he had scored and co-produced,

Case Study: Star Citizen
Matt | 11, July

Pedro Camacho and I have been talking forever about working together on Star Citizen, and finally got the chance to

Case Study: Far Cry – Primal
Matt | 23, February

Jason Graves was already a regular customer and user of my commercial soundsets, when he sent me an email hilariously

Case Study: Fear the Walking Dead
Matt | 23, August

Another project with Paul Haslinger. No floaty, atmospheric synth vibes on this one. We were into creepy, dangerous and provocative

Case Study: Halt & Catch Fire
Matt | 01, June

Halt & Catch Fire was my first collaboration with the legend that is Paul Haslinger. I had to pinch myself

Case Study: Need For Speed
Matt | 12, March

This is a project that kind of crept up on me. Nathan Furst got in touch, saying that he liked

Case Study: Dead Rising 3
Matt | 22, November

I owe a huge debt of gratitude to Sascha Dikiciyan. When I released my very first commercial soundset, Massive Darkscore

Case Study: Olympus Has Fallen
Matt | 17, April

When Trevor Morris got in touch with me, I was already aware of his work on some more historical projects,

Rupert Gregson-Williams

The Unfinished patches don’t feel like presets – I’ve used them on three very different movies in the last few months. Incredibly imaginative and useable.

Rupert Gregson-Williams (Wonder Woman, Hacksaw Ridge, The Legend of Tarzan))

Tom Salta

It takes A LOT for me to be inspired by synth patches. It’s so refreshing to know that I can load up patches by The Unfinished and find instant inspiration. There’s a “soul” to Matt’s sounds that is hard to find in today’s overcrowded marketplace. Thank you Matt.

Tom Salta (Halo, Tom Clancy's Ghost Recon, Lawbreakers)

Mac Quayle

Each time I download the latest collection from The Unfinished and start scrolling through the sounds I feel like a kid on Christmas morning unwrapping presents. Beautiful, dark, ethereal, angry, lush, intense and much more in every set. I’m a fan.

Mac Quayle (Mr Robot, American Horror Story, Cold Case)

Ramin Djawadi

The Unfinished sound additions are unique and inspiring. The sounds are exceptionally crafted and are easily implemented in any project. The Unfinished packs are extremely applicable for scoring all types of media and I highly suggest adding them to your sound library.

Ramin Djawadi (Game of Thrones, Iron Man, Pacific Rim)

Clinton Shorter

As a regular user of Omnisphere, Zebra and the NI products I’m constantly amazed at how often Matt is able to produce such brilliant patches for the synths I love. He seems to breathe life into my plugins every month in a way that no one else can. Keep up the awesome work. I can’t wait for the next release.

Clinton Shorter (District 9, Contraband, 2 Guns)

Greg Edmonson

Matt’s ‘The Unfinished’ series is simply spectacular. Cinematic and evocative are words that come to mind. Need some inspiration? Just load a patch and follow your heart. Bold and nuanced at the same time, ‘The Unfinished’ is a wonderful resource for any composer!

Greg Edmonson (Uncharted, Firefly)