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Bespoke

BESPOKE SYNTH PROGRAMMING TAILORED TO YOUR NEEDS
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HAVE FRESH SOUNDS THAT YOU NEED AT YOUR FINGER TIPS.

The Unfinished has worked with a wide range of composers, artists and producers across a range of projects.

Clients include: Jason Graves, Michael Price, Sascha Dikiciyan, Trevor Morris, Sheridan Tongue, Paul Haslinger, Pedro Camacho and Nathan Furst.

Matt has also collaborated with Spitfire Audio, Wide Blue Sound, Spectrasonics and Acces synths.

Bespoke synth programming provides you with unique, high quality sounds; instant gratification; an enjoyable, collaborative process; and, most importantly, sonic candy to help you stand out from the crowd.

Download The Unfinished Bespoke Brochure to find out more.

Or check out the Case Studies below.


BESPOKE CASE STUDIES

casestudy_titanfall2
Titanfall 2
Matt | 05, November

Working with Stephen Barton is always fun and this job was certainly that, if a little unusual. Rather than creating

CaseStudy_Unforgotten
Case Study: Unforgotten
Matt | 08, August

I first met Michael Price, through a mutual friend, at the premiere of a film he had scored and co-produced,

CaseStudy_StarCitizen
Case Study: Star Citizen
Matt | 11, July

Pedro Camacho and I have been talking forever about working together on Star Citizen, and finally got the chance to

CaseStudy_FarCryPrimal
Case Study: Far Cry – Primal
Matt | 23, February

Jason Graves was already a regular customer and user of my commercial soundsets, when he sent me an email hilariously

CaseStudy_FearTheWalkingDead
Case Study: Fear the Walking Dead
Matt | 23, August

Another project with Paul Haslinger. No floaty, atmospheric synth vibes on this one. We were into creepy, dangerous and provocative

CaseStudy_HaltCatchFire
Case Study: Halt & Catch Fire
Matt | 01, June

Halt & Catch Fire was my first collaboration with the legend that is Paul Haslinger. I had to pinch myself

CaseStudy_NeedForSpeed
Case Study: Need For Speed
Matt | 12, March

This is a project that kind of crept up on me. Nathan Furst got in touch, saying that he liked

CaseStudy_DeadRising3
Dead Rising 3
Matt | 22, November

I owe a huge debt of gratitude to Sascha Dikiciyan. When I released my very first commercial soundset, Massive Darkscore

CaseStudy_OlympusHasFallen
Case Study: Olympus Has Fallen
Matt | 17, April

When Trevor Morris got in touch with me, I was already aware of his work on some more historical projects,

Mac Quayle

Each time I download the latest collection from The Unfinished and start scrolling through the sounds I feel like a kid on Christmas morning unwrapping presents. Beautiful, dark, ethereal, angry, lush, intense and much more in every set. I’m a fan.

Mac Quayle (Mr Robot, American Horror Story, Cold Case)

Ramin Djawadi

The Unfinished sound additions are unique and inspiring. The sounds are exceptionally crafted and are easily implemented in any project. The Unfinished packs are extremely applicable for scoring all types of media and I highly suggest adding them to your sound library.

Ramin Djawadi (Game of Thrones, Iron Man, Pacific Rim)

Clinton Shorter

As a regular user of Omnisphere, Zebra and the NI products I’m constantly amazed at how often Matt is able to produce such brilliant patches for the synths I love. He seems to breathe life into my plugins every month in a way that no one else can. Keep up the awesome work. I can’t wait for the next release.

Clinton Shorter (District 9, Contraband, 2 Guns)

Greg Edmonson

Matt’s ‘The Unfinished’ series is simply spectacular. Cinematic and evocative are words that come to mind. Need some inspiration? Just load a patch and follow your heart. Bold and nuanced at the same time, ‘The Unfinished’ is a wonderful resource for any composer!

Greg Edmonson (Uncharted, Firefly)

Jason Graves

Whatever magic potions you’re brewing over there, keep it up! I can’t thank you enough for making it so easy to find those polished, simple sounds that “just fit” – only a few tweaks and I can call them my own.

Jason Graves (Tomb Raider, Dead Space, Far Cry: Primal)

Sascha Dikiciyan

I have been using Matt’s talents for a few years now, including on my just released Doomsday artist record. He never fails to amaze me how a single person can create so many presets that are never boring or cheap sounding. They inspire you to write the best music possible. Thanks Matt!

Sascha Dikiciyan (Mass Effect 3, Borderlands 2, Tron:Evolution)